The Saphead (1920)

 The Saphead (1920) marks the feature film debut of the iconic Buster Keaton, though it is notably distinct from the slapstick-heavy comedies for which he later became famous. Directed by Herbert Blaché and Winchell Smith, this silent comedy-drama features Keaton in a more subdued role as Bertie Van Alstyne, a naive and pampered young man from a wealthy family who finds himself entangled in a series of financial misadventures and romantic entanglements. Adapted from the stage play The Henrietta, The Saphead showcases Keaton’s ability to embody a different kind of character—one reliant on charm and wit rather than physical gags—while still injecting moments of his signature humor.

At the center of The Saphead is the story of Bertie, the son of a wealthy Wall Street tycoon, Nicholas Van Alstyne (played by William H. Crane). Bertie is a well-meaning but bumbling figure, whose sheltered upbringing leaves him ill-prepared for the world outside his luxurious home. When he is mistakenly accused of being involved in a scandalous affair and is thrust into the chaotic world of high finance, Bertie must prove his innocence and show that he is more than just a clueless heir.

While The Saphead doesn’t have the same level of physical comedy that would later define Keaton’s career, it does offer moments of subtle humor, with Keaton’s deadpan expression and perfect comedic timing shining through. His portrayal of Bertie is endearing, playing the part of an innocent and somewhat clueless character who finds himself out of his depth in a complex and often ruthless world. Keaton’s ability to blend vulnerability with understated humor is evident in his performance, making Bertie both sympathetic and entertaining.

One of the most notable aspects of the film is its commentary on wealth and privilege. Bertie’s journey from a sheltered rich boy to someone who must navigate the harsh realities of life offers an insightful look at the disconnection between the upper class and the world around them. Through Bertie, the film explores themes of personal growth and responsibility, as his character evolves from a pampered young man into someone who is more aware of the complexities of the world.

The film also delves into the world of high finance, with much of the plot revolving around the stock market and the dealings of Wall Street. Bertie’s lack of understanding of the financial world serves as a source of humor, but it also highlights the unpredictable and often treacherous nature of capitalism. The film’s depiction of the stock market is at times chaotic and absurd, reflecting the uncertainty and risk that come with speculation.

Visually, The Saphead is relatively straightforward compared to the more elaborate set pieces seen in Keaton’s later films. The direction by Herbert Blaché and Winchell Smith focuses more on character-driven moments rather than elaborate stunts, allowing Keaton’s performance to take center stage. The film’s pacing is measured, with the plot building slowly toward a climactic scene in which Bertie inadvertently becomes a hero on the stock exchange floor.

Though The Saphead may lack the physical comedy and daring stunts that would later define Keaton’s career, it remains a charming and entertaining film that showcases his early talent for nuanced, character-driven humor. The film stands as an interesting departure from Keaton’s later works, offering a glimpse into his versatility as a performer and his ability to adapt to different comedic styles.

In conclusion, The Saphead offers a lighter, more sophisticated comedy compared to Keaton’s subsequent films, but it remains an essential part of his body of work. With its themes of wealth, privilege, and personal growth, combined with Keaton’s endearing portrayal of a naive yet lovable protagonist, the film continues to entertain and provide insight into the social structures of its time.

American Psycho (2000)

 

In-depth Movie Reviews and Cinema Insights: American Psycho (2000)

American Psycho, directed by Mary Harron, is a provocative psychological thriller that adapts Bret Easton Ellis's controversial novel of the same name. Released in 2000, the film stars Christian Bale as Patrick Bateman, a wealthy investment banker in Manhattan whose life of luxury hides a dark and violent secret.

Set in the 1980s, the film explores themes of consumerism, identity, and the moral vacuity of the era. Bateman is portrayed as a hyperbolic representation of the era's yuppie culture, embodying the superficiality and excess of Wall Street. His character is obsessed with status symbols, brands, and appearances, reflecting the emptiness that lies beneath the surface of wealth and success.

The narrative is structured around Bateman's double life as a charming and successful businessman by day and a brutal serial killer by night. His disconnection from reality is highlighted by his meticulous attention to detail in his daily routines, from his skincare regimen to his lavish lifestyle. As the film unfolds, Bateman’s violent fantasies blur with his reality, leading viewers into a chilling exploration of his psyche.

Harron's direction, combined with Bale's haunting performance, creates a darkly comedic atmosphere that invites audiences to grapple with their discomfort. The film is marked by satirical elements, as it critiques both the characters' moral depravity and the society that enables it. Bale's transformation into Bateman is iconic; he embodies the character's charm and menace, showcasing the duality of a man who is both captivating and repulsive.

American Psycho also features a notable supporting cast, including Willem Dafoe as Detective Donald Kimball, who becomes increasingly suspicious of Bateman, and Reese Witherspoon as Bateman's girlfriend, Evelyn. The film cleverly employs these characters to enhance Bateman's isolation, as he often perceives them as superficial and incapable of understanding his true nature.

The film's stylistic choices, including its use of vibrant cinematography and sharp editing, mirror Bateman's fractured psyche and the chaotic nature of his world. The soundtrack, featuring iconic tracks from the era, further immerses viewers in the culture of excess and superficiality. The combination of visual and auditory elements creates a visceral experience that lingers long after the credits roll.

Critically, American Psycho ignited debates about its portrayal of violence and misogyny. While some praised it for its satire and commentary on societal norms, others criticized it for its graphic depictions of violence against women. The film forces viewers to confront their complicity in consuming media that glorifies violence while simultaneously critiquing that very consumption.

In conclusion, American Psycho (2000) remains a significant film in the realm of psychological thrillers, offering a disturbing yet insightful critique of a culture obsessed with image and materialism. Its exploration of identity, violence, and moral ambiguity continues to resonate, making it a compelling and often controversial piece of cinema that challenges audiences to reflect on the darker aspects of human nature.